what do you see

when you look outside your window?

can you manipulate the view of a person? why would you want to do so? what would engage a passerby in the interest of the space? should you have to use force?

what if you could create a space so interesting that force and obligation were never necessary? what use is intrigue and curiosity?

early stages

using the drawing to question the form.

an interesting process - where does it take you?

the three parts of the model are just that, three distinct parts. how could they become more integrated? weighing on the compositional value of one another?

the cuts of the chipboard give it a nice texture. the detail is sensual.

how does the light work with this one? the sensuality of dark versus light? the soft, smooth fabric and the rugged texture of the card?

this looks completely solid. whats going on in the background of the section cut?

the white beads - what is their purpose? why is there thought to texture there and yet it is on the same plane with the same relevance as the rest?

if the assignment was for a spatial composition, is this spatial? or is this a surface? when does a surface become spatial? experiential instead of superficial?

as the process has evolved, the drawings have become much more experiential. keep pushing it. also, you should push the media to be cleaner and articulate your ideas through that precision.